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If you're looking to buy yourself some professional tools - whether we're talking about recording equipment like headphones and monitors; interface boxes which connect various devices together so they can share data like FTP. Digital conversion boards used during post-production processes such as colour grading"- then there's no doubt about who makes your best option: SENNHEISER. I would have to agree with Howard - the NTG-2 is probably the vest value proposition. I can be used in a variety of situations, is built well and is terrifically affordable for what it is. I know people that have been using one for nearly ten years without a problem. That said, you ought to be able to get the headphone output from the mixer to work, as long as it's actually monitoring the right thing. I would be leery of doing this mostly because it's too easy to accidentally mess up what the mixer is sending to the headphone output. It is designed for the operator to be able to monitor the audio at various stages along the pipeline, anything from an individual input pre-fader to the output mix. It's also easy for the operator to accidentally change the level. Running the MKE 600 on a 1 x AA battery compared to 48V phantom power results in a lower output level but retains the characteristics that become more pronounced, the closer to the MKE 600 you are. It certainly handles further distances much better than the smaller MKE 200, with even 2m away still sounding pretty good with low to minimal noise once you’ve cranked up the gain. Le bruit de fond est moins présent que sur le ntg4+ (même si il est plutôt faible et très correct sur ces deux micros).
Many will find the MKE 600’s versatility as an on-camera and fixed sound setup an attractive proposition compared to larger and more expensive audio mic alternatives. Sennheiser MKE 200 A large tubular capsule design of the MKE 200. Buy Sennheiser
This is not only about the quality but also about design. The MKE600 can be more convenient than both AT897 and Rode NTG2, it performs great even in close-up or open spaces without relying on post EQ tweaks to make up for its weaknesses with one mic performance that might not sound as good when needed most during loud live shows like concerts where distortion often happens due of how many people are yelling/singing at once while instruments play loudly behind them all together which sounds terrible if something goes wrong . It seems Sennheiser took best elements from each microphone they tested before creating this gem.
Frequency pattern of MKE 600 is nothing short of epic and I love that curve above any other shotgun. It is reasonably flat and while peaking in the upper range with a slight 2-3 dB boost it gives just about enough presence not to sound “dull”. However, unlike with harsher AT897 this transition is very smooth, natural and unobtrusive. The lower end initially rolls off at 100 Hz, while the “low cut” switch sets it at 200 Hz. With this move, Sennheiser outsmarts both AT897 and NTG-2 whose “low cut” switches are set at 100 Hz and can’t roll off any further. The thing is, anything below 100 Hz is hardly usable anyway as it’s mostly mud and noise, but, it doesn’t stop there and sometimes you may want to cut it further. Sennheiser MKE 600 gives you that opportunity. 200 Hz is the range that often contributes to some annoying boominess, also amplifying wind and machinery noise – so this can be a great fix especially for run and gun /ENG situations. The mic is very quiet with no discernible onboard noise. It rejects noise from the side and rear very well. Buy Sennheiser MKE 200 Professional Shotgun Mics Both the MKE 200 and MKE 600 are attached to my Sony A7 IV. The microphone works very well and copes with dialogues, I really like working with it, I just love this velvety and rich sound, even better than ntg3. Of course, many sound engineers can say that I'm talking complete nonsense here, but when I showed my processed work, no one could really tell what the sound was recorded on, so it works very well. If you want to work on a more directional sound then this is the Mkh-416, but again the Mk600 is ideal if you're mixing with lavalier mics. More testing and recordings are needed before I finalize my thoughts on the MKE 600 and 200, but my early impressions of the two are positive. The MKE 600 has a professional swag with a few important features for modern-day creators and videographers, while its versatility to switch between shooting environments and the way it handles itself is very attractive. Noise is kept to a minimum which offers wiggle room for post-processing.
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The MKE 600 is a versatile mic that can be used when any situation suits you. It's perfect for all types of performances and environments, from small talk in between songs or interviews to speaking up at conferences. The Sennheiser MKE600 mic is also a great choice for those looking to record their voice and instruments. It has better windscreens, so you won't need the optional ones that come with other mics plus it's affordable. I understand that the principle is the similar to pressure zone microphones and that its main purpose was to provide ambience from the entire area of a sports ground during a match...
The MKE600 is a fantastic pair of headphones for those who want to get the most out their music. It has an amazing sound quality and it's very comfortable, lightweight design makes them perfect if you're on-the-go.The balanced XLR inputs have an impedance of 100K ohm. .. The IHF unbalanced -10 dBV rca line outputs have a 150 ohm impedance." Ce sont deux micros fort identique en terme de qualité sonore et de fabrication, mais mon choix ses porté sur le MKE 600 pour les raisons suivantes: In the mean time, I will try tapping the Church Sound Mixer speaker feed for my YouTube LiveStream of our Services. The headset output caused buzzing/humming weather I set the ATEM to mic or line.
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