Cambridge Audio AXA25-25 Watt Separate Integrated Stereo Amplifier HiFi System Featuring Tone and Balance Control with Front Aux Input - Lunar Grey

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Cambridge do not give a spec into a 4Ω load, which is unsurprising given that the power supply isn’t built to drive difficult or low impedance loads. Larger reservoir caps, for example, would have given the AXA35 a significant bump in headroom and a bit more grunt. It’s not uncommon to see 4700UF caps as a minimum on the PSU rails of a DIY-built Gainclone. You could up the voltage too – the LM3886 can handle peak input voltages of +/-94V, and comfortably up to +/-40V with ample cooling, which the AXA35 certainly provides. The preamp appears similar if not identical to the AM10. It is responsible for most of the noise in the amp’s output – 79.8dB signal to noise ratio (A-wtd, ref 0dBW). It’s a bit of a shame Cambridge didn’t spec up the preamp a bit to better match the performance of the output stage. Nevertheless it is well designed with NE5532s unsurprisingly making up the basis of its audio circuitry and input selection and volume control handled by digital logic.

Cambridge Audio AXA25 Lunar Grey - Richer Sounds

Listening Room: Chord Qutest; Marantz CD6005; Rega PL6 + Ania; Rega Fono MC; Rega Aethos; B&W 703 S3The staff are so so helpful,kind and very knowledgeable . I will definitely be buying from them in the It’s true to say that the new casework is better, but examples of poorly damped biscuit-tin casework are more prevalent in boutique British equipment at several times the price of any Cambridge. Poorly built casework and preschool electronics design aside, some of that gear is ugly enough to offend a blind man’s sense of aestheticism. Pressing the power button brings the amp out of standby and, after a few seconds, the speakers are connected with the clunk of a substantial relay. I was surprised to learn that, just like the AM10, the AXA35 doesn’t remember the previous volume setting when the power is cycled. It does remember the settings for balance, bass and treble, so this is a daft omission on Cambridge’s part.

AXA25 - Integrated Stereo Amplifier | Cambridge Audio UK

I own an Onkyo A9110. It's in the system in my study. It's connected to Sony BDP-S370 , Cambridge NP30 streamer and output via a pair of (bluntly awe inspiring) Mission 70 MKII. Previously it was connected to QA 3020i. It's fuller sounding than the Rotel RA820BXII it replaced but it's not in the same league as my Arcam A19. At the bottom end, the AXA35 and AXC35 show off another common Cambridge trait. Not only is the bass firm, detailed and blessed with excellent timing, but when things become more dance orientated it laps up a decent beat. Spinning The Divine Comedy’s I’ve Been To A Marvellous Party is an absolute hoot as the Cambridge duo makes a fine job of Neil Hannon’s soft murmurings during the verses, and then hit their stride with the thumping techno beat in the choruses. Give this combo a bangin’ tune and it loves it – pushing it out with confidence and punch. Just after warranty period ended (typical!) the CD player started making mechanical noises on disc load and then during play. Eventually disc tray would not open. I set the volume knob to my normal listening level, which pointed to about 'half-past-seven'. So the volume was hardly turned up at all. Cambridge Audio’s AXA35 integrated amplifier and AXC35 CD player make a fine budget combo. Individually, the amplifier is no slouch, but the CD player is something of a budget marvel that really doesn’t put a foot wrong in any aspect of its performance. The combo works well together and forms an ideal starting point for anyone seeking an enjoyable and affordable setup. ASPutting the AXA35 on a little plastic plinth that’s − to all intents and purposes – invisible, is a canny move on Cambridge Audio’s part, too. It makes the amp look a little like it’s floating, and in a sector of the market where aesthetics play a distant second fiddle to cost considerations, it’s a very welcome design oddity. Cambridge Audio AXA35 features − Defiantly old-fashioned when it comes to connections and features Unsure on the differences between the two or which you need for your system? Our blog has the answers for you… One of the key differentiators is the user interface. The AXA25 has old-fashioned analogue knobs for bass, treble, volume and balance. I presume that it is a fully analogue component design, though I don’t have one here so I can’t lift the lid to say for sure. The AXA35 has a digital interface as evidenced by the push-button input selection and digitally-controlled volume, complete with volume level display and tone and balance controls hidden behind a simple menu system. Assuming I’m right about the AXA25’s implementation of good old-fashioned potentiometers, the better AXA35 should be a significant jump in performance without the channel mismatch and noise issues associated with cheaper analogue pots. The AXA35 has plenty of power to fill a mid-sized room providing you’re using efficient speakers. Most budget amps of the ‘70s and ‘80s were this way, and they survived many a party. The A1, the amplifier that revived the Cambridge brand after the Audio Partnership takeover, was only 25 watts per channel and it can make a lot of noise with the right speakers.